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Gwen Billaud: FLASH GLAM TRASH

Opening Thursday, December 3 at 18h

Exhibition Friday, December 4 Saturday, January 16, 2010 at

Raconteur multidisciplinary history, his narrative is structured around obsessions: horror movie, music cheesy b series, and violence ... The artificial hemoglobin, the superficial appearance of the cult are in the crosshairs in a spirit pop / punk glam: the hype and its codes are diverted. Gwen Billaud works by amalgamation, compilation. Operates a shuttle going back and forth from death to life serial killers (which deprive of life), death row inmates (who are waiting for a programmed death) and the undead and zombies (which in turn "play extensions" [1] ).

Billaud Gwen's work sets up a mechanism of attraction and repulsion as it demonstrates how the myth: serious criminals are treated as gods by demonic journalists, and novelists such as the police says Denis Duclos [2] . It adds icons of fashion and music such as David Bowie and Kate Moss in a maelstrom of creating a fictional references infamous and inform, a kind of mise en scene of horrific fun " [3] .

It eroticizes and death, but "the body is the epitome of abjection, it is death infecting life" [4] . What is despicable is: "what disturbs identity, system, order " [5] is here that the whole work revolves Gwenaël Billaud as painting, installation as performance . YP

[1] Paul Ardenne body image , Paris, Editions du Regard, 2001 p.403
[2] Denis Duclos The complex of werewolf - the fascination of violence in American culture , Paris, La Découverte, 2005, p.39
[3] Denis Duclos op. cit. , p.22
[4] Julia Kristeva, Powers of Horror, An Essay on Abjection , Paris, Points, 1983, p.11
[5] ibid. p.12

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Gallery Mathieu St'Art 2009

European Contemporary Art Fair
Strasbourg Wacken Parc des Expositions



Opening: Wednesday, November 25, 2009
Dates of the fair: from 26 to 30 November 2009

Artists exhibited: Jacques

Dekerle

Jan Horacek

Pierre Mabille

Michel de Matteis

Miloslav Moucha

Aurélie Nemours

Michael Pears

Bernard Rouyard

Yvan Sobotka

This exhibition is supported by the Rhone-Alpes

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MATTEIS

Paintings


Opening Saturday, November 7, 2009 15 am to 20 pm
Exhibition from November 7 to December 19, 2009

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Michel Michel De PEARS


Paintings


Opening Saturday, November 7, 2009 15 am to 20 pm
Exhibition from November 7 to December 19, 2009

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Richard Tronson: Minimum Dilution

Opening Thursday, November 5 at 18h

Exhibition from Friday 6 to Saturday, November 28, 2009

Breath 1, drawing Digital engraving on paper, 50 x 40 cm, 2008

Imagination Richard Tronson, at first glance, look for the unusual, the inexplicable, the bizarre. While the effect here is not to say, the explanation who appears ostensibly as a deficit.

look at them ... So, all these images woven unusual, even if only to verify this: all depict a internal contradiction. Between the actions or attitudes of the protagonists photographed, for example, who always seem far from ours, against the grain of our stereotypical attitudes. One thinks also frequently a world of crazy, strange creatures, sleepwalking, torn from ordinary logic lines (this also accentuated the fact that many of the photographs to elect under the hospital). Another internal contradiction: the contradiction between a visual universe always found where the characters cavort, whether the hospital, townhouse or back rooms, and the position What adopt these characters themselves, invariably out. Another contradiction finally, an aesthetic one: the perfect legibility of the visual image in terms that matched the imperfect appreciation of the action frame to it. Difference obviously calculated by the artist, and coming mark the boundary between the world of its own coherence and incoherence image that presides over its perception. Paul Ardenne

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Rodolphe Delaunay: Measure for Measure
Opening on Thursday 1 ^st October 18h
Exhibition from Friday, October 2 to Thursday, October 29, 2009.

Rodolphe Delaunay was born in 1984, he lives and works in Paris.

The title of the exhibition of Rudolph echoed Shakespeare's play, unclassifiable piece whose story revolves around the notion of ambivalence and contradiction.

Rodolphe Delaunay is a storyteller, it is by his attention, his ability to "collect in the folds of reality" that trigger is fiction. Close to the idea of mysticism in the possibility of revelation, Rudolph captures the signals and then he interprets the move operation allows a reinterpretation of reality. Thus, it highlights the unspeakable by its specific provisions, its ability to understand the signs, then it scrambles to create narratives leaving some doubt and not engaged only under certain conditions (angle of view, temporality, title ...).

walk in the moonlight is an installation created in 2009, consisting of 33 laps of a sonata by Beethoven (Sonata No. 14 Op 27, No 2 known as Moonlight), and a motor Telescope . The disk spins at dizzying speed of one revolution per day, so it is not possible to perceive the movement of rotation, no sound is heard. Another installation entitled From the Earth to the moon and back by a mirror, we present the cover of the book by Jules Verne with the same title, but reversed. The artist allows us to travel and especially Moon proposes that we return. Rodolphe Delaunay therefore manipulates a set of signs in a normal context have several meanings or forming our fields of knowledge. It is this knowledge that the artist pushes instilling items parasitizing and it moves the certainty of the viewer to a lower probability of reading and therefore understanding. Chance is an important approach in the work of this artist since the encounter with these signs is so coincidental. The work S years 2009 title is a print of a scanned document in a book History of Art. This is a double page showing two paintings of Vermeer. Chance of layout creates an additional link. The character of right panel, a geographer looking out the window and ends up trying to watch the back of a young woman in blue. By extrapolation, a link to love weaves between these two characters who do in fact have none. Rodolphe Delaunay, as a collector, accumulating a sum of images but also knowledge that away then, allowing him to challenge systems of referencing. This knowledge is no longer a material the artist works in complete freedom to infuse poetry and narrative. The works resulting from this work are the kinds of reflections, echoes of what already exists but has been distorted.

Yann Perol

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The return of The Window 41

Adrien Vescovi: Be quiet and go

Opening Thursday, September 3 at 18h

Exhibition until Saturday, September 26, 2009

multidisciplinary artist, Adrien Vescovi operates in terms of slippage and diversion, not without humor, he creates a world full of poetry which dominates the absurd. Most of his works are elaborated in the sort of riddle revolved around "micro-events." It requires the viewer mentally reconstruct the process of appropriation of the artist for the work book meaningless. Adrien Vescovi replays and plays with reality, he sets up games image but also of language. The fun aspect is crucial even if the proposals of the artist can have a dramatic or serious content.

The exhibition title refers to the film by Jim Jarmusch Dead Man title. This replica of the movie is a sort of challenge that the Indian Nobody Blake lance the hero of the film. This is the artist of a moment of doubt or trouble sets in, the question is whether it has the courage to challenge or not question that the artist refers to himself. He imagines this exhibition as a kind of fantasy world or all of the works creates a narrative, a fiction in which the viewer is lost.

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Miloslav

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Opening Saturday, September 12, 2009 15 am to 21 pm

Exhibition from September 12 to October 24, 2009














March 2010
Exposure Gallery U Betlémská KAPLA Prague
www.galerieubetlemskekaple.cz

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FLY ART PRAGUE 2009

Artists exhibited: Jacques DEKERLE, Pierre Mabille, Miloslav FLY, Wilfried Prager, Milan Grygar David FRANK etc. ...

Opening Tuesday, June 16, 2009
From 17 to 23 June 2009

Address: Výstavní síň Manes, Prague 1, Masarykovo nábř. 250
PRAGUE

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Ivan SOBOTKA

Gouache and tempera 1977-2008

Opening Thursday, June 4, 2009 15 am to 21 pm
Exhibition from June 4 to July 11, 2009


Ivan Sobotka was born in 1927 in a small town in Moravia, Moravské Budějovické. In 1946 he began his studies at the Ecole Superieure des Beaux Arts in Prague under Professor Sychra, then he will join the section of Professor Pukli. He graduated in 1951.





" The face is even easier, the expression is contained in the eyes, the color is monochrome, therefore it only uses three primary colors, white, gray and blue. It will decrease further thereafter. In the mouth there is only a single line, an arch of the eyebrow common nose. Later he also eyebrows, nose, just a line, only the eyes still gain more meaning. From seemingly simple and readable, in effect a gradual climb to the latency, latency invisible at first glance. In the eyes of these faces there is the story hidden in the Old Testament prophets, apostles. The portraits are imaginary only the form, content is in the eye where a story is hidden, a quote from the Bible that has thought long Sobotka, caught and then hidden away. Who has no patience and can not stop in the quiet, without his own ambitions aside, to watch, it will never appreciate the beauty of paintings Sobotka . Placák January

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Jacqueline Salmon

Géocalligraphies

Opening Thursday, April 23, 2009 15 am to 20 pm
Exhibition from April 23 to May 30, 2009


Photographs produced on the islands of Saint-Laurent in Canada
" The Saint Laurent is a wide gap between moving long foreign worlds. It binds and separates them. He displays his power, indifferent, focused on the ebb and flow of tides, like breathing LBS punctuating the world order . Jacqueline Salmon

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PROGRAMMING March to July 2009

WINDOW clear off its hinges!

OPENING Thursday, March 5, 2009.

cycle exhibition entitled "finger in my ..." offers a program free from the constraints of a gallery Traditional without being claimed as belonging to the institutional field.

Here we will highlight projects with artists young or experienced a desire for transgression of ideas on contemporary art. Multidisciplinary and transgender, this program will demonstrate the vitality and dynamism of contemporary art. With special attention to projects that are committed unfortunately not honored in the institutional field or on the art market.

exhibitions sometimes overlap, thereby establishing the idea of interference, particularly of confrontation and complementary projects.

Olivier Leroi is demoiseau of honor who will open the show, followed closely by Loïc Connanski, Thierry Joseph Bailey and Eve. Michael Sellam will ensue and then Vanessa Grégoire Bergeret Fanuele and Adrien Vescovi.

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Ant Hampton: This is where everything happens in my mirror

Opening Friday, July 3 at 18h

Exhibition from July 4 to Saturday, July 25, 2009.

Ant Hampton - is where it all happen (Everything Happens Here)
Design / Production : Ant Hampton
Camera: Britt Hatzius.

Writer, director and founder of the group Rotozaza, Ant Hampton has created for The Window 41 of "Imaginary speeches" performative scenarios, shows for urban and rural landscapes in France and Italy. Different scenarios are written by Ant Hampton then read twice to people who are going to be filmed: one resident, or somebody working in the area in question. After a pause of 30 seconds Ant Hampton begins filming. The subject must repeat from memory "what happens".

sequences give the viewer multiple interpretations of different scenarios : Versions slip between past, present and conditional. People undertake filmed by camera with varying enthusiasm, remembering certain details or not. They build a network of relationships, permanent renegotiation between the public, the eye of the camera, the voice, the artist, subject, memory, language, time, landscape and imagined a scenario.

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Finger Fanuele & Vanessa Faye Formisano

Opening Thursday, June 11, 2009 at 18h

Exhibition until 30 June 2009

Inside, retail, mixed media on paper, 150 x 256 cm, 2009 .

Finger in my mirror :
Fanuele invites Vanessa Faye Formisano
Exhibition until June 30

"Because these mysteries are beyond me, pretending to be the organizer. Jean Cocteau

A sprawling giant mesh suspended behind glass of 5 m high swallows the viewer inside, deep in the back, inside, the other side. Drawings and objects such strange clues and cryptic hybrids seem to be caught in the snares of the complex textile structure. The viewer then enters a limbo of another world. Faye Formisano and Vanessa Fanuele draw on different media, for one textile to another paper. Two poetic worlds to forge links Window41 space to create an installation inspired by the spooky depths unfathomable our "other side." Vanessa Fanuele